Art Basel Hong Kong

Wang Jianwei, Wu Shanzhuan, Wu Shanzhuan & Inga Svala Thorsdottir
2017.3.23 – 3.25

rsWJW 17-03-PT

Wang Jianwei, 2016, acrylic and oil on canvas, 225×300 cm

 

rsWJW 16-23-PT

Wang Jianwei, More No.19, 2016, acrylic and oil on canvas, 134.5×200 cm

 

rsWJW 13-03-PT

Wang Jianwei, “...the event matured, accomplished in sight of all non-existent human outcomes.” No.24, 2013, acrylic and oil on canvas, 137×180 cm

 

rsWJW 14-01-PT

Wang Jianwei, Another No.3, 2013, acrylic and oil on canvas, 180×135 cm

 

rsWJW 17-02-PT

Wang Jianwei, Another No.9, 2016, acrylic and oil on canvas, 82×110 cm

 

rsWJW 17-02-INS

Wang Jianwei, 2017, mixed media installation, 160x210x155 cm

 

rsWJW 15-35-PT

Wang Jianwei, Messenger No.8, 2015, acrylic and oil on canvas, composed by 3 parts, 200×147 cm each

 

rsWJW 17-01-PT

Wang Jianwei, Another No.8, 2016, Acrylic and oil on canvas, 200×150 cm

 

rsWJW 17-05-PT

Wang Jianwei, 2016, acrylic and oil on canvas, 200×200 cm

 

Wang Jianwei, More No.17, 2016, acrylic and oil on canvas, 220×147 cm

 

 

rsWSZ 15-01

Wu Shanzhuan, How To Do Nothing, 1990 – 1991, acrylic on canvas, 308×175 cm

 

rsWSZ 15-03

Wu Shanzhuan, A Little Red Box Voted by Wu’s Thing, 1990 – 1991, acrylic on carton and paper, 20x41x35 cm

 

rsWSZ 15-04

Wu Shanzhuan, News Week, the Text Covered by a Red, 1991, acrylic on printed paper, composed of 3 pieces, each piece includes 2 images, and 27×41 cm for each image

 

rsWSZ 15-05

Wu Shanzhuan, News Week, the Text Covered by a Red, 1991, acrylic on printed paper, composed of 3 pieces, each piece includes 2 images, and 27×41 cm for each image

 

rsWSZ 15-06

Wu Shanzhuan, News Week, the Text Covered by a Red, 1991, acrylic on printed paper, composed of 3 pieces, each piece includes 2 images, and 27×41 cm for each image

 

rsWSZ 15-07

Wu Shanzhuan, News Week, the Text Covered by a Red, 1991, acrylic on printed paper, composed of 3 pieces, each piece includes 2 images, and 27×41 cm for each image

 

rsWSZ 15-08

Wu Shanzhuan, News Week, the Text Covered by a Red, 1991, acrylic on printed paper, composed of 3 pieces, each piece includes 2 images, and 27×41 cm for each image

 

rsWSZ 15-09

Wu Shanzhuan, News Week, the Text Covered by a Red, 1991, acrylic on printed paper, composed of 3 pieces, each piece includes 2 images, and 27×41 cm for each image

 

rsWSZ 16-06

Wu Shanzhuan, Vege-pleasure, the Drawings, 1996, color pencil on paper, one A2 paper 59.4×42 cm, five A3 paper 42×29.7 cm, four A4 paper 29.7×21 cm

 

rsWSZ 16-02

Wu Shanzhuan, A Large Sketch on Today No Water, the Chapter 15, 2005, marker pen and acrylic on canvas, 200×300 cm

 

 

rsWSZ 12-01

Wu Shanzhuan, Light, history you can turn on and off, so does nature, 2005 – 2012, acrylic on canvas, 200×300 cm

 

rsWSZ 12-05

Wu Shanzhuan, Content Configuration Sense, 2006 – 2011, acrylic on canvas, 160×140 cm

 

rsWSZ 12-06

Wu Shanzhuan, Bagged Man, 2006 – 2011, acrylic on canvas, 135×95 cm

 

rsW&I 11-03

Wu Shanzhuan & Inga Svala Thorsdottir, “Mona Lisa” is given by “The Illuminating Gas”, 2011, airbrush, 140×190 cm

 

 

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Wu Shanzhuan & Inga Svala Thorsdottir, Narcissus Recovery, 2011 – 2012, oil, pencil and colored pencil on canvas, 200×200 cm

 

rsW&I 12-08

Wu Shanzhuan & Inga Svala Thorsdottir, Echo Sisyphus Narcissus, 2011 – 2012, oil, pencil and colored pencil on canvas, 200×200 cm

 

rsWSZ 12-08

Wu Shanzhuan, Trinity, Sisyphus, Narcissus, Recovery Position, 2011, acrylic on canvas, 200×200 cm

 

rsWSZ 16-01

Wu Shanzhuan, Little Fat Flesh Perimeter Requiem 2015 May 21, 2015, acrylic and ink on canvas, 200×300 cm