+
Sino-Dutch Artworld Dialogue
+
Austrian Prime Minister Wolfgang Schuessel visits the Long March Space
+
Press Conference for the 2005 Yokohama Triennale - at the Long March Space


Long March Participation in the 2005 Yokohama Triennale
- Art Circus (Jumping from the Ordinary)

Purlieu - He Jinwei

2005.08.20-09.11

 
 
 
 
 
 

+
March 9, 2005 《Artkrush》: Longmarch Space Exhition
+
2005.02.27 《South China Morning Post》: A Marathon Walk on the Wilder side of art
+
Res Artis: On the verge of elsewhere
+
2004.12 Yishu Journal of Contemporary Chinese Art: From "Urban to Rural"to "Rural to Urban"
 
 

>>> Long March Space Exhibition

Purlieu - He Jinwei (2005.08.20- 09.11)

ZhongShuo - Iain Mott (2005.08.20- 09.11)
The Miniature Long March - Qin Ga (2005.07.23- 08.17)
 
>>> Long March Space-Independent Project Space
"Samples from the Transition" - Treasure (2005.07.23- 08.17)
Launch-Flying Artist Group(2005.06.1-06.30)
 

>>> International
Long March artists participate in The 2nd International Biennale of Contemporary Art Prague
2004 Taipei Biennale "Do You Believe in Reality?" (2004.10.23-2005.01.23)
Fifth Shanghai Biennale “Techniques of the Visible ”(2004.09.29-11.27)
Le moine et le demon exhibition at the Museum of contemporary art Lyon
Light as Fuck! Shanghai Assemblage 2000 - 2004
 


 

Long Marchers on the Road

+
Newsletters and Announcements
+
Curators
+
Artists
+
Essays on the Long March
+
Long March Glossary
+
Participating Artists' Homepages
+
Archive


 
Luding Bridge, Sichuan Province
Site 11 Moxi, Sichuan Province
Site 10 Xichang, Sichuan Province
Site 9 Maotai, Guizhou Province
Site 8 Zunyi, Guizhou Province
Site 7 On the Train
Site 6 Lugu Lake, Yunnan Province
Site 5 Lijiang, Yunnan Province
Site 4 Kunming, Yunnan Province
Site 3 On the Road in Guangxi
Site 2 Jinggangshan, Jiangxi Province
Site 1 Ruijin, Jiangxi Province

Long March - A Walking Visually Display (site 1 - 12)
This project is organized by the Long March Foundation, New York,and The 25000 Cultural Transmission Center, Beijing with the cooperation of local cultural institutions along the route of China's historical Long March. Its aim is to take both contemporary Chinese and international art to a sector of the Chinese public that is rarely, perhaps never, exposed to such work. In this respect, this is the first such project in China's history. Specifically, we will bring art to those people who live in communities along the route of Mao Zedong's historic Long March. Mao's 'March' symbolized the deliverance of the Communist ideal to the Chinese proletariat. It is with this symbolism in mind that we now choose to march contemporary art out to China's peripheral population.

Long March - A Walking Visually Display (longmarch space site 13)
Longmarch space is not so much a gallery as a center, a base, and a work station that looks to connect the art world with Chinese society, and to connect China with the world. The space functions as a "curatorial laboratory" dedicated to the fundamental questions of the relationship between curating, display and artistic creation, between practice and discourse, between objects and text, and between audience and artists.

The Mapping of Yanchuan Paper-cuttings
This project is co - organized by the Long March and the Yanchuan County government, and is a thorough survey of the county's 180,000 people that uses an understanding of the current situation of the art form of paper-cuttings in the basic unit of today's society to gain deeper insight into the relationship between contemporary art and public space.


 

Lu Jie: The Long March is a difficult thing. One problem is my lack of sufficient theoretical and curatorial preparation. A bigger problem is that envisioning and planning are nothing more than envisioning and planning.

Zhu Jinshi: The Western art system has its problems, and the comparison you just drew - you say that when you decided to stop you stopped - this is something that would not be possible in the Western system ……

Zhang Guangtian: You've talked about the problem of artist's surface - level engagement and participation in the Long March too many people who participate in your project are looking to actualize their own goals ……

Wang Hui: Last year when I talked with you, I remember you saying that you didn't just want to go on the road, but to turn the Long March into a long - lasting system like a biennale ……

Wang Jianwei: Let me talk about this from a participant's perspective. After 1997, the public environment in China opened up a little bit and many artists jumped directly into the public space……

Huang Ping: If you want to realize a Long March of contemporary art, to find another life - force for art, this must merge with all sorts of already existing folk art. This is true if you decide to do alternative art, if you connect art with history……

Qi Jianping: Actually there are two different kinds of utopia. When we started talking about the Long March, I thought of the Long March television series in 2000.In it there was one detail that particularly struck me. ……

Han Yuhai: Of course that's true, this is obvious. After watching the computer display you just showed us, I think it is very good. The Long March is a topic to which we keep returning in China……

Wang Mingxian: Recent art historical scholarship talks about a few important points in art in 20th century China. One is the print - making of the revolutionary era. Whenever I see Lu Jie I think of the Long March……

Hang Jian: I think I can feel why Wang Jianwei is still guessing why Lu Jie weren't happy with the Long March. He is an artist who participated in the twelfth site, the final site. The fact that he is still guessing why you stopped is worth looking into……

Meng Hui: I rather agree with Huang Ping. When Sun Yat - sen began the capitalist revolution, he obviously didn't go to the Qing court looking for support. When Mao started the Red Army……

Philip Tinari: Many people criticize us, saying that we are doing the Long March to export. Whether they are gallery directors in Beijing, art - world types - they all think that the Long March should first be completed here in China and that only then should it go abroad……

Li Xuejun: I think time is about up. When I organized this activity I thought of two questions. One was Lu Jie's Long March, and how he has spun it as an abstract symbol of achieving a revolution……