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Long
March lecture at Tsinghua University Inter-University Program
for Language Studies
March
27, 2003
Tsinghua
University, Beijing
TheAt the invitation of his alma mater, the Inter-University
Program for Chinese Language Studies at Tsinghua, Long March
associate curator and 25000 Cultural Transmission Center
deputy artistic director Philip Tinari delivered a presentation
on the Long March art foundation and its work on March 27.
The
lecture, which was attended by approximately 25 students
and faculty from this, the premiere U.S.-sponsored language
program in China, discussed the genesis and progress of
the Long March: A Walking Visual Display, as well as the
Long March's work in Beijing. While the format was the standard
two-hour site-by-site Powerpoint overview, the historical
and political context of the IUP added an element of significance.
IUP,
formerly known as the Stanford Center, was founded in Taipei
in 1963. Several generations of Cold War-era American Sinologists-at
that time unable to visit mainland "Red" China-received
their Mandarin training in its signature one-on-one drill
classes. As Sino-U.S. relations warmed in the 80s and 90s,
the program prepared to move to Beijing, and in 1997 landed
at Tsinghua-the alma mater of the current Communist Party
secretary and president Hu Jintao. Tsinghua, along with
the technocrats it cultivates, has become a key element
in the equilibrium of Communist Party power first established
during the tortuous years of the historical Long March on
which the project is based.
On a
more personal level, IUP-Tsinghua maintains a deep connection
with the Long March. Tinari is one of three Long Marchers
to have studied there; the other two are former director
of international communications Lisa Horikawa and on-road
participant Megan Connolly. As an art program with an international
commitment, the Long March relies on the work of these Mandarin-proficient
non-Chinese curatorial and administrative staff just as
it looks for the contributions of international artists.
Tinari
delivered his presentation entirely in Chinese, as per the
program's regulation that only Mandarin be spoken on its
premises. The audience included several of the teachers
with whom he studied the language as a Fulbright fellow
during the 2001-2002 academic year. The presentation generated
interest in the project, and found new collaborators among
this key group of young American intellectuals.
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